Book Reccos: Taylor's Version (not that one)
In which my friend Taylor recommends some books we should read...
Before I wrote up my own list of books my friend should read, I told some other friends about it and they instantly started sharing their recommendations with me. First up, from Taylor who is not the one you’re thinking of unless the one you’re thinking of has bright pink braids. Over the course of about ten days, she recommended the following books to check out, almost all of which were entirely new to me which is exciting.
Before we get started, a little bit about Taylor as a reader:
Almost exclusively reads physical/paper books
Likes to pick up her books from small bookstores, Barnes and Noble, Bookshop.org
If you ask Storygraph, she reads books that are dark, adventurous, fiction, and less than 300 pages
When someone asks for a book recommendation, she’ll recommend Knight and the Moth for fantasy-romance, Cruel Prince for fantasy without romance, and Lady Tang’s Circle of Woman for historical fiction.
She wanted me to make sure to encourage folks to check out the content/trigger warnings of each before diving in as some of these feature lots of them.
For all of the books below, I’ve pulled in the summary from their Bookshop.org pages, hence the quote blocks. All of these are on their own Bookshop.org Affiliate list, meaning I get a small commission if you buy something from there but zero pressure.
First in a Series
Bone Season (Samantha Shannon)
The year is 2059. For two centuries, the Republic of Scion has led an oppressive campaign against unnaturalness in Europe.
In London, Paige Mahoney holds a high rank in the criminal underworld. The right hand of the ruthless White Binder, Paige is a dreamwalker, a rare and formidable kind of clairvoyant. Under Scion law, she commits treason simply by breathing.
Godkiller (Hannah Kaner)
Gods are forbidden in the kingdom of Middren. Formed by human desires and fed by their worship, there are countless gods in the world—but after a great war, the new king outlawed them and now pays “godkillers” to destroy any who try to rise from the shadows.
As a child, Kissen saw her family murdered by a fire god. Now, she makes a living killing them and enjoys it. But all this changes when Kissen is tasked with helping a young noble girl with a god problem. The child’s soul is bonded to a tiny god of white lies, and Kissen can’t kill it without ending the girl’s life too.
Stand-Alone
A Dowry of Blood (S.T. Gibson)
This is my last love letter to you, though some would call it a confession. . .
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things.
Finding comfort in the arms of her rival consorts, she begins to unravel their husband’s dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.
A Fae in Finance (Juliet Brooks)
When investment banker Miri is purposely trapped in Faerie by her client, the Princeling of the Faerie realm, she does what any normal 20-something would do: cries, makes jokes in denial, and worries loudly about her cat, Doctor Kitten. Instead of rescuing her, her boss simply confirms she has solid internet access, leaving Miri stranded in a strange land with only a warning that the quality of her work should not decrease because of a change of address.
But Miri grew up reading fantasy, and she knows there are always ways to work around magic--she just needs to find them. In order to make her daring escape, Miri must navigate Faerie political drama, lies by omission, faerie seduction tactics, deteriorating mental health, and a mother who never hangs up the phone.
The Everlasting (Alix E. Harrow)
Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten.
Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs.
But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.
Isle in the Silver Sea (Tashi Suri)
In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes.
Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other?
As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them.
Starving Saints
Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration.
Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls.
As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.
Sacred Space Between (Kallie Reid)
The Abbey has controlled the minds of its patrons for a millennium through memory magic, stolen from exiled saints. At fifteen, Jude was exiled from the Abbey to the bleak moors in the countryside, to maintain their control over his bourgeoning magic. Almost a decade later, he wants to live a normal life free from the Abbey’s oppressive gaze. When they send Maeve, a stubbornly devout iconographer, to paint an updated icon of him, Jude makes it his mission to get rid of her as soon as possible. That is until he discovers she holds the same tainted magic of the saints as he does, and that the icons she paints may be the key to destroying the Abbey’s power.
As Jude and Maeve draw closer, the two of them face a choice--they can take on the full power of the Abbey and risk their lives for freedom or escape back to exile and make the most of their fading memories. But this institution has eyes everywhere, and the only thing the Abbey loves more than a saint is a martyr.
Lady’s Knight (Amie Kaufman and Meagan Spooner)
Gwen is sick of hiding—hiding the fact that she’s taken over her father’s blacksmithing duties, hiding her attraction to girls, hiding her yearning for glory as a knight.
Meanwhile, Lady Isobelle of Avington, queen bee of the castle, has never once considered hiding who she is—until now. She’s been chosen as the grand prize in the Tournament of Dragonslayers, to be given to whichever knight can claim her hand. And for the first time in her life, she can’t talk her way out of trouble.
When Isobelle discovers Gwen’s knightly ambitions, they hatch a scheme together—Gwen will joust in the tournament, disguised as Sir Gawain. Winning means freedom for Isobelle, and glory for Gwen. Losing means… well, let’s not go there.
One thing’s for sure: Falling in love was never the plan.
But the best laid plans…are often trampled all over by dragons.
Red City (Marie Lu)
Alchemy is the hidden art of transformation. An exclusive power wielded by crime syndicates that market it to the world’s elites in the form of sand, a drug that enhances those who take it into a more perfect version of themselves: more beautiful, more charismatic, simply more.
Among the gleaming skyscrapers and rolling foothills of Angel City, alchemy is controlled by two rival syndicates. For years, Grand Central and Lumines have been balanced on a razor’s edge between polite negotiation and outright violence. But when two childhood friends step into that delicate equation, the city—and the paths of their lives—will be irrevocably transformed.
Hazelthorn (C.G. Drews)
Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow:
He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron’s charming, underachieving grandson, Laurie.
That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him.
When Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family’s vast wealth. But Evander’s sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next.
Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.
A Study in Drowning (Ava Reid)
Effy Sayre has always believed in fairy tales. Haunted by visions of the Fairy King since childhood, she’s had no choice. Her tattered copy of Angharad—Emrys Myrddin’s epic about a mortal girl who falls in love with the Fairy King, then destroys him—is the only thing keeping her afloat. So when Myrddin’s family announces a contest to redesign the late author’s estate, Effy feels certain it’s her destiny.
But musty, decrepit Hiraeth Manor is an impossible task, and its residents are far from welcoming. Including Preston Héloury, a stodgy young literature scholar determined to expose Myrddin as a fraud. As the two rivals piece together clues about Myrddin’s legacy, dark forces, both mortal and magical, conspire against them—and the truth may bring them both to ruin.
And the River Drags Her Down (Jihyun Yun)
When her older sister is found mysteriously drowned in the river that cuts through their small coastal town, Soojin Han disregards every rule and uses her ancestral magic to bring Mirae back from the dead. At first, the sisters are overjoyed, reveling in late-night escapades and the miracle of being together again, but Mirae grows tired of hiding from the world. She becomes restless and hungry . . .
Driven by an insatiable desire to finish what she started in life, to unravel the truth that crushed her family so many years ago, Mirae is out for revenge.
When their town is engulfed by increasingly destructive rain and a series of harrowing, unusual deaths, Soojin is forced to reckon with the fact that perhaps the sister she brought back isn’t the one she knew.
Diavola (Jennifer Thorne)
Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive.
It isn’t easy when she’s the only one in the family who doesn’t quite fit in. Her twin brother, Benny, goes with the flow so much he’s practically dissolved, and her older sister, Nicole, is so used to everyone—including her blandly docile husband and two kids—falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet.
The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails—the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself.
A Certain Hunger (Chelsea G. Summers)
Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy’s clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both.
But there is something within Dorothy that’s different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man’s neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority.